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Tuesday, September 16, 2014

Sci-Fi Temptress

SCI-FI TEMPTRESS
Illustrator Trev Stair has a great has a collection of interesting portraits in his sketchbooks .This one is of the character Rachael, the femme fatale character in the 1982 film “Blade Runner”.

Trev’s report: “I’ve always been a fan of Ridley Scott’s “Blade Runner”, so it was really fun to draw Sean Young’s character during the Voight-Kampff test scene. [The test is designed to distinguish android ‘replicants’ from humans]. I sketched the drawing first with Pilot Parallel calligraphy pen. I love the line that the Parallel pens give — it’s loose and lively. It’s so loose and lively that it can sometimes get away from you (which can be seen in the wonky bits of this drawing). After the lifework was set, I added tone by brush with diluted India ink. Once the ink wash dried, I added the smoke and bits of highlights using a brush and Daler-Rowney Pro White ink. Pro White is a very opaque white ink that works great over India ink.

This drawing was done in a Gamma Series sketchbook. While the Gamma Series is designed to accept light washes, I have found that it holds up really well to a heavier hand. I have been able to introduce ink washes, watercolors and some gouache into my Drawing a Day work. This really lets me push myself in new directions.” Trev’s blog: http://grandallusions.com/

MEDIA: Ink and ink wash
SURFACE: Gamma Series – Heavyweight – 150 gsm – Ivory – Medium Grain Finish

Voight-Kampff

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Friday, September 12, 2014

Soho Panorama

British-born Pete Scully is Urban Sketchers’ correspondent now living in California but he returns to the U.K for regular summer visits. Here is a drawing Pete recently did on a Soho street in London: “This is a two-page panorama of Berwick Street, in the heart of Soho. Straight ahead is the Blue Posts Pub, an old boozer whose name reminds us of Soho’s past as a hunting ground; blue posts would be used to mark the boundaries. I stood sketching using a brown-black Uniball Signo pen for two and a half hours with the Alpha Series landscape sketchbook, and coloured it in later with watercolour. I like to draw panoramas of city streets because you can get a greater scope of the scene, really immerse yourself in it – but you need to commit the time!”

Pete is also active in Urban Sketcher’s London chapter. He currently is featuring a great report on his blog (www.petescully.com ) of the group’s sketch crawl of the buildings of Christopher Wren, Britain’s greatest architect (St. Paul’s Cathedral, etc.). And, besides his many other talents, Mr. Scully is also an extraordinary mapmaker as you can see here in this map “Wren’s City”: http://bit.ly/1qLvjNw

MEDIA: Ink and watercolor
SURFACE: Alpha Series – Heavyweight – 150 gsm – White – Medium Grain

Pete Scully_Berwick St panorama sm

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Tuesday, September 9, 2014

The Rigolets Lighthouse

Annie Strack is an art educator and a master of marine paintings. This is Annie’s report about her drawing of the historic Rigolets Lighthouse, destroyed by Hurricaine Katrina. “I used to live in the New Orleans area, and one of the best things about living there was the diverse and numerous subjects nearby that make for interesting maritime paintings.

I was tidying my studio the other day when I came across some of my old photos of the Rigolets Lighthouse, and I painted this 4×6 watercolor from them. This lighthouse was built in 1855 and once guided maritime traffic at the Rigolets Pass entrance to Lake Pontchartrain until it was abandoned in the mid-20th century and fell into disrepair and then lost to Hurricane Katrina 9 years ago.

The paper is Stillman & Birn’s Beta Series, from a small sample pack they sent to me along with a sketchbook that I had won on one of their social media contests. Nice paper, very good for sketching and studies. Very resistant, the water and pigment stays on top and doesn’t soak in, so very easy to lift the watercolor paint off, down to the white paper.

I wanted to depict a stormy day in this painting, so I used mostly indigo and Payne’s grey for the sky and water. While it was still wet I blotted out some clouds in the sky with tissues, and I let the damp paint create a few blooms in the water to give the effect of rippling reflections. After it dried, I painted the marsh and the rusty roof using Quinacridone gold, burnt sienna, and sepia. I used the sky colors of indigo and Payne’s grey for the shadows, and for the weathered wood of the building and the pilings. This paper allows easy lifting of non-staining colors, so after the painting dried I added a few lighter values by removing paint with damp brush.” Annie’s website: http://www.anniestrackart.com/

MEDIA: Watercolor
BETA SERIES: Extra Heavyweight – 270 gsm – White – Cold Press Finish

Annie Strack, Rigolets Lighthouse

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Saturday, September 6, 2014

GUEST POST — Leslie Fehling: Cleome

CLEOME
Leslie Fehling’s post of this drawing attracted a lot of attention when she first posted on her blog. We’re happy to repost it now along with Leslie’s Artist Statement: “I drew this Cleome, or spider flower, in Maine at the lovely Thuya Gardens on Mount Desert Island in Acadia National Park. The line drawing was completed on location using a technical pen with black ink in my Beta Series sketchbook, and the lettering was lightly penciled in.

When I painted the page later at home, I used masking fluid on the entire flower first, including the long arcing stamens. This allowed me to paint the background freely without worrying about preserving the flower shapes. I used a ruling pen to apply the masking fluid. A ruling pen is a drafting instrument designed to hold ink between two adjustable metal pincers which taper to a point. The line width is controlled by an adjustment screw. It works well for applying masking fluid, because it holds a good amount of fluid, and it’s easily cleaned by simply wiping with a tissue. No more ruining paintbrushes with masking fluid! It worked perfectly for masking those long, thin lines on the Cleome.

After I painted the background wet-in-wet and allowed it to dry, I removed the masking fluid and began painting the Cleome itself. The lightest washes were applied and allowed to dry, then subsequent washes in progressively darker shades were added. I kept the whole thing fairly light to convey the feeling of a sun-struck flower against a shady background.

The lettering was inked with a black Sakura Pigma Micron 01 pen and painted with watercolor. At the end, I felt the whole picture looked too static and controlled, so I added some spattering with a paintbrush to make it a little more lively.”

MEDIA: Pencil, ink, watercolor, masking fluid resist
SURFACE: Beta Series – Extra Heavyweight – 270 gsm – White – Cold Press Finish

Leslie Fehling is a watercolor artist and sketchbook journaler from Prosperity, PA. She loves sharing the joys of sketching through her Everyday Artist blog and in workshops in the U.S. and Tuscany.

Cleome

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Monday, September 1, 2014

Sketching Fast & Loose

Rhoda Draws (yes, that’s her real name!) is a caricature artist, illustrator and educator who has hosted several Stillman & Birn workshops in the Bay Area. Rhoda’s dynamic drawing style is to capture the essence of a subject quickly with long fluid lines and bold color. Last year Rhoda came back from a trip to India with a sketchbook full of drawings. We asked her to report on the bronze elephant, one of our favorites:

“I specialize in drawing and painting very quickly. The “Sketching Fast & Loose” techniques that I teach in workshops and art holidays are based on the methods I’ve developed filling sketchbooks in Europe, USA and India, as well as decades of creating live caricatures at events in about three minutes per face. Sketching quickly with a minimum of basic materials is practical for capturing the essence of a subject. Sightseeing, it’s also nice to be able keep up with your tour group leader.

This sketch of a bronze elephant with two passengers was done at the National Museum of Delhi in a Stillman & Birn Alpha Series sketchbook. I used a dark brown Faber-Castell Pitt pen for the line work. Color was added with Caran d’Ache aquarelle pencils and a brush pen with a water reservoir in the barrel. I love subjects with lots of intricate detail and ornamentation….a great opportunity for creative scribbling.”

MEDIA: Water-soluble colored pencils and ink
SURFACE: Alpha Series – Heavyweight – 150 gsm – White – Medium Grain

 

elephant statue-museum

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Wednesday, August 27, 2014

A Yorkshire Farmhouse

Judith Alsop Miles posted this rainy day drawing at the beginning of August, soon after her return to the U.K. after living in southern France. It’s interesting to note how the artist captures the cloudy atmosphere of the day with water-soluble colored pencils, left dry. “Today was the first day of #DrawingAugust [tag] on Twitter. Although I’m sketching a couple of times a week at the moment, I was interested to see if this would motivate me to draw every day.

I want to keep all the drawings for this challenge in one place and I chose my S&B Gamma series sketchbook because it’s suitable for a range of techniques and I’m planning to try out some different things this month.

It was raining this morning so I opted to draw the view from the small window next to my desk, which faces up the track towards a typical Yorkshire farmhouse. Having recently moved back here from southern France, I found it quite weird to see smoke curling up from the chimney in August! The roof was shiny with rain and the magenta-coloured rosebay willow herb was standing bright against the stonework.

First I did a rough sketch using a Stabilo OHPen Universal Permanent, which is meant for transparencies but gives a really punchy black line on paper. Then I built up the colour gradually with Derwent watercolour pencils, left dry on this occasion as the soft effect seemed appropriate to the misty conditions.”

MEDIA: Ink and water-soluble pencils (dry)
SURFACE: Gamma Series – Heavyweight – 150 gsm – Ivory – Medium Grain

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Friday, August 22, 2014

Architectural Study

Missouri-based designer and watercolor artist Don Gore sent us this sketchbook study and artist’s statement: “I am first and foremost an admirer of art. I have great respect for anyone that works with their head, hands and heart to “create.” Watercolor paintings specifically speak to me in a unique and compelling manner.

I am currently working on a series of small watercolor paintings for an art show in early September. A Stillman & Birn Alpha Series sketchbook has become my book of choice for my sketch work prior to the actual painting. I use everything from a Sharpie fine point to a Pilot V5 extra fine roller ball to a newly acquired TWSBI mini fountain pen with Noodler’s Ink for my sketches. The paper in the Alpha Series is terrific with all of these and more.

S&B says their Alpha Series sketchbooks work fine with light washes. To be totally honest, I was hesitant about adding any watercolor, as I just didn’t think the paper would take it. Well, I was wrong. As I’ve progressed through my sketches, I’ve continued to make my washes more and more soupy and I’ve been pleasantly surprised at how the paper performs far better than I would expect. In one of my sketches here, I went as wet as I would on an actual watercolor paper. Much beyond what I ever imagined. “ Don Gore’s Flickr photostream can be found at: www.flickr.com/people/dgdraws; his Instagram username is @dongore50.

MEDIA: Ink and watercolor
SURFACE: Alpha Series – Heavyweight – 150 gsm – White – Medium Grain

Don Gore

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Monday, August 18, 2014

Mum’s Vase

British artist Jean Stevens created this watercolor study of a beautiful china vase that has holds not only flowers, but precious memories. “Here’s a painting of a rather special vase which belonged to my Mum and now has a special place in my studio. It’s a beautiful vase (in fact it has a little handle and a spoon but I left those out of the painting) and the background colour glistens when the light catches it. It’s much more beautiful than I’ve painted it but I think it’s a fair representation.

I’m currently taking part in #DrawingAugust where Tweeters from all around the world are creating a drawing each day and posting this on Twitter throughout the month of August. Last year was the first time for #DrawingAugust and it was such a great success we thought we would repeat it.

My Mum passed away in April and she had a huge love of china. This piece is one of my favourites amongst her large collection and I thought it would be a lovely subject for a watercolour study.

This is a watercolour in the Delta Series sketchbook. I’ve used St Petersburgh Artists Watercolours and painted using both wet on dry and wet on wet techniques. Before painting, I’ve outlined the vase in faint pencil lines and used a Uni-ball pen to outline the leaves, flowers and neck of the vase to create definition.” Jean Stevens’ website is: www.jeanstevens.co.uk

MEDIA: Pencil, ink, watercolor
SURFACE: Delta Series – Extra Heavyweight – 270 gsm – Ivory – Cold Press Finish

Jean Stevens Vase

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Wednesday, August 13, 2014

Portrait of Elle H.

Riko Colin Chuck never got to meet his model, Elle H. He drew this exceptional portrait from a selfie she contributed to the Sktchy iPhone app. Sktchy invites users to upload their selfies and then watch how artists transform the photos into drawings. We asked Riko to explain: “I am a self-taught artist with a current interest in Representational Art. Due to a difficult work schedule, I don’t get to attend classes, workshops, or life drawing sessions. So I’ve been using an app called Sktchy. Users upload ‘selfies’ and the fantastic international community of artists create and post artwork based upon these photos. I selected this one of ‘Elle H’ because it had such a quiet Pre-Raphelite beauty to it.

To create this drawing, I used General’s Charcoal pencils in grades 2H and 2B with tortillion smudging and a kneaded eraser and Paper Mate’s Tuff Stuff eraser stick to lighten values and add highlights. The brightness, weight, and smooth finish of the Zeta paper worked flawlessly to help me create this drawing.” See more of Riko’s artwork at his Flickr photostream at http://flickr.com/photos/rikocolin/sets

This drawing is also special for us because it is the first report we have of an artist using the Zeta Series exclusively with dry media. Do you know of others? Please let us know.

MEDIA: Charcoal
SURFACE: Zeta Series – Extra Heavyweight – 270 gsm – White – Smooth Finish

Elle H

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Monday, August 11, 2014

New Packaging Coming

This week we will begin a repackaging process that will refresh the look of the Stillman & Birn sketchbook line. Why are we doing this? Because we want to make it simpler for everyone to understand the mixed media capabilities of our papers and to easily see differences between our six series. But although our look will be changing, there will absolutely be no change on the inside. OUR SKETCHBOOKS WILL CONTINUE TO BE MADE WITH THE SAME GREAT PAPER! This label will be on every book to give you our assurance of this fact.

More info soon….

 

Same great paper_small

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Monday, August 11, 2014

Floral Study

Florida artist Kathleen Pequignot sent us this colorful drawing along with the following report about her spontaneous drawing technique: “This floral study began with three separate photo inspirations. From these references I drew directly in my Beta Series art journal with a Uni-ball Super Ink pen. The ink is waterproof, so I was able to create watercolor washes over the line drawing. The heavy duty paper allows me to use a good amount of layering to create transparent wash effects. I was also able to add some small line texture with a watercolor pencil, adding water to fade it slightly into the background. I didn’t have a plan in the beginning or a graphite pencil layout, but I enjoyed the process as each floral took shape. I find that I tend to work more relaxed and direct this way in my art journals, and they end up being my favorite creations!” See more of Kathleen’s artwork on her Facebook page here: https://www.facebook.com/studio318

MEDIA: Ink, watercolor, watercolor pencil
SURFACE: Beta Series – Extra Heavyweight – 270 gsm – White – Cold Press Finish

Kathleen_morninglightr (731x1024)

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Wednesday, August 6, 2014

Commonwealth Games Sculpture

Wil Freeborn is an artist and Urban Sketchers correspondent living in Scotland. This is a report Wil sent us about an urban art installation celebrating the Commonwealth Games which ended last week in Glasgow: “I studied Environmental Art at Glasgow Art School but later pursued a career in design. I’ve been moving into illustration and art more in recent years from a love of drawing on site around Scotland.

Here in Glasgow we’re currently hosting the Commonwealth Games. I created a drawing of a sculpture of the games’ logo that is currently in George Square in the middle of Glasgow. The weather for the games has been incredible and with all the countries visiting the city there has been an excitement and vibrant atmosphere for the last two weeks.

The drawing of the sculpture has all the primary colours in it so it makes any kind of subtlety very difficult. It’s usually pretty rare having a painting with red, green, blue and yellow equally placed, as it can make it look unnatural. Here I didn’t really have a choice. A few things I did was I started by making the background fairly light to help it recede. There are only a few colours and strokes used just to give a light impression. In contrast the sculpture has been outlined with a heavy Pentel brush pen. I did a few extra washes of bright paint to emphasize the primary colours.”

To see more of Wil Freeborn’s artwork visit his website here: http://www.wilfreeborn.co.uk/

MEDIA: Ink and watercolour
SURFACE: Gamma Series – Heavyweight – 150 gsm – Ivory – Medium Grain

Commonwealth Games 3

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Tuesday, August 5, 2014

Thomas the Brave

Mixed Media artist Dion Dior posted this moving tribute to her five year old son Thomas. This is an excerpt: “This is a very special month for me. Five years ago this month, my son Thomas was born 16 weeks premature. He weighed only 1lb 3oz at birth. He was so tiny that his eyes were fused shut and instead of skin, he had a translucent membrane over his body. He could fit head-to-toe in the palm of my hand. During that time I witnessed some remarkable medicine, some incredible neo-natal practitioners, and a whole lot of love.

On Christmas Eve 2009, we took our son home, along with a plethora of wires, tubes, monitors, and tanks. It was a cold snowing Christmas, but beyond joyful for us. We were finally able to be a family. Thomas was back into the PICU 4 times before we celebrated his first birthday, but in August 2010, he reached a milestone that we thought we’d never see: Thomas turned 1 year old. Life has been a series of ups and downs for Thomas, but never a moment passes when we are not profoundly grateful for having him in our lives.

Over the years he has grown into a glorious little boy. Funny, energetic, and perfectly unique. Thomas’ health has been fragile over the years. It took him 2 years to get off oxygen, and he has fought set-back after set-back with incredible courage. He battled hearing loss, vision loss, eating difficulties, kidney problems, and lung issues…to name a few, and in late 2012, he was diagnosed with Autism. But today he is a healthy, happy, beautiful little autistic boy, and on Sunday the 10th, he turns 5 years old.

It’s such a wonderful time for us as he has bought so much happiness into our little family and made us all better people. And that is why he is known as “Thomas The Brave”.”

To see more pictures of brave Thomas and his brave, loving family, see Dion’s blog post here: http://www.diondior.com/2014/08/the-story-of-thomas-brave.html

Thomas the Brave with candle

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Sunday, August 3, 2014

Napa Valley Art Supply Hosts S&B Workshop

Thanks to Napa Valley Art Supply (in Napa, CA) for hosting a Stillman & Birn workshop this past Saturday. Illustrator and caricature artist Rhoda Draws led the workshop demonstrating a variety of mixed media techniques in S&B sketchbooks. Participants received a sample packet of our papers and there was a drawing for a sketchbook door prize.

Napa Valley

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Saturday, August 2, 2014

Seaplane Takeoff

Noted watercolorist, writer and educator Thomas W. Schaller created this drawing of a vintage seaplane taking off on Lake Superior. Tom has just finished teaching a course in plein air watercolor painting at Madeline Island School of Art (MISA) in La Pointe Wisconsin. “MISA is an art and craft school located on a restored Wisconsin dairy farm surrounded by Lake Superior and the other twenty-one Apostle Islands. These twenty-two pristine Islands provide some of the most spectacular scenes for photographers and plein air painters.” [MISA website]

MEDIA: Pencil and watercolor
SURFACE: Beta Series – Extra Heavyweight – 270 gsm – White – Cold Press Finish

seaplane

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Wednesday, July 30, 2014

Sunflower Study

British artist Emma-Jane Rosenberg recently posted this multidimensional study of a sunflower. We asked Emma-Jane to explain her vision in creating this artwork and this is her report: “Though I have no formal art background, I have always felt compelled to draw. I would describe my paintings in oil pastel and soft pastel as colourful realism with an emphasis on still life and portraits, though I like to play with a variety of media and sometimes find that the flow of pen and ink leads to drawings of a more instinctive or imaginative nature. I keep a sketch journal in a variety of media. The sunflowers were drawn from life across two pages of my current journal, a 5.5″ x 8.5″ Alpha Series sketchbook. What interested me about the sunflowers beyond the more obvious appeal of their sunny faces were the curling forms of their bracts, so that’s what I chose to explore with my Lamy Safari fountain pen. I used Noodler’s Walnut ink, which I then spread around with a waterbrush to create the shading.

I wanted to give a sense of the three-dimensionality of the flower without spoiling my line drawing (which is why I went on to do a second study, with shading, on the right). So I added a cast shadow by running my waterbrush along the lower edge of the drawing, darkening it close to the outline with additional pen marks which I brushed over afresh, without waiting for the first wash to dry.”

You can see Emma-Jane’s artwork on her Flickr photostream here: https://www.flickr.com/photos/17642194@N05/

MEDIA: Ink and ink wash
SURFACE: Alpha Series – Heavyweight – 150 gsm – White – Medium Grain Finish

Sunflower

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Saturday, July 26, 2014

Tea Time

Artist Erik Davis published this drawing on his blog and sent us this write-up about it: “Right now my passion is for old barns, sheds, and trees. I think the barns and sheds come from my childhood. My grandparents had a small farm with lots of little sheds and a barn. Many days were spent exploring them. I decided to add the figure to the drawing to help give the shed some scale, and add a little interest. I decided to put him sitting inside the door for a focal point, contrast, and convey the idea of taking a break from the sun. I chose the title “Tea Time” simply because of my love of hot tea – anytime of the year.

When I start a new drawing I usually have it worked out in my head. I quickly draw the basic shape and layout in pencil, I then make several sketches of the figure on tracing paper to get the scale and position just right. I rarely do any kind of value sketches or rough sketches. Once I am happy with the sizes and locations of the elements I go straight to the pen. I’m working to break an old habit of outlining everything with the pen, and trying to leave more broken lines in my work. I like to start with the structures first, then I work towards the main tree trunk. After that I really just skip all over to get the basic foreground, vegetation, and the tree canopy. Once the elements are anchored I then work through the details and shading. The watercolors are added last. I usually start with the sky and work through the drawing rather randomly. I do my best not to add additional ink once painting is finished. I’ve found the water softens the paper just enough that the pen goes down a little thicker, even after the paper has dried.” Erik Davis’ blog: http://erikrdavis.com/

MEDIA: Pencil, ink, and watercolor
SURFACE: Beta Series – Extra Heavyweight – 270 gsm – White – Cold Press Finish

Tea Time

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Monday, July 21, 2014

Lotus Blossom

Singapore artist Vincent Pang recently reported on his blog about a visit to Kampong Java Park, adjacent to one of Singapore’s major hospitals.” I was delivered into this world at now KK Women and Children’s Hospital. I still like to come back to the lotus pond here for a bit of quiet time and meditation. But on this day, I woke up earlier than usual and decided to make a trip down to the pond for a bit of relaxation. As usual, the beautiful lotus blooms got the better of me and I decided to paint them.

Done entirely in watercolour, I decided to incorporate Chinese impressionistic strokes with western watercolour styles. I started with a wash of diluted pigments of carmine and assorted greens on the positive areas to ‘mark’ the objects I wanted to capture. Once this layer dried, I used a fine synthetic brush boosted with stronger pigments to add the details on the stalks, petals and leaves with added in bolder shades and dryer strokes, creating both details and texture. Finally, I splattered component colours onto the finished painting for added visual interest and depth, not unlike a typical Chinese impressionistic painting.” This is the link to Vincent Pang’s blog, “Musings of a Citi Sketcha” http://citi-sketcha.blogspot.com/

MEDIA: Watercolor
SURFACE: Delta Series – Extra Heavyweight – 270 gsm – Ivory – Cold Press Finish

Lotus Blossom

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Friday, July 18, 2014

Alpha vs. Epsilon

Designer and art educator Ellen Ward has written an informative blog post contrasting inking on the Alpha and Epsilon Series. (Alpha is white and has a medium grain surface; Epsilon is also white but has a smooth surface.)

“Ink is a catalyst for seeing. It is definite and for the most part indelible. By drawing consistently with ink one learns to make clear decisions and develop better aim. I generally do not use a pencil underlay because it hobbles my responses and makes me lazy.

Crosshatching is one of the ways to create values with pen and ink. It can be done mechanically, with drafting tools, but I much prefer a spontaneous approach that allows me to draw freely. This way the lines can build slowly and organically. A paper with a slight tooth like Alpha breaks up the line just a bit. The pen skips in fits and starts because the ink hits the hills and skips the valleys on the surface of the paper, even though each is very subtle.

With Alpha, one can build tone slowly and not end up with fully inked dark areas unexpectedly, the result of the lines that have already accumulated before you could gauge the values in the sketch. This can happen even when you are an experienced artist, but a paper with some texture is a good hedge against this issue. This is the reason that most of my students prefer to crosshatch with a little bit of tooth in the paper to avoid over-inking. I would recommend using Alpha for beginners to inking, and for any drawings which hope to have a broad range of values through crosshatching.

On a smooth paper like Epsilon the line is crisp and unbroken. Furthermore, smooth paper like Epsilon creates line with speed because there are no hills and valleys on the surface of the paper to slow the movement of the pen. Although the garden drawing sketch “looks” detailed, it actually was drawn rather quickly with loose lines. I sketch broad gestural lines to place the foliage and draw immediately on top to build texture. A drawing like this relies on the gestural truths of observation: that way the plants stand as large masses and directional movement. This kind of drawing is most like painting. Textures vary depending on the quality of the leaves and the movements of the water. Stark contrast in value is the goal rather than slowly accumulated tones.

I also really like Epsilon for figure studies in life drawing class. I use ink wash, Pitt Artist pens in grays, and a Lamy Safari filled with Noodlers ink for figure studies.” Ellen Ward’s blog: http://bit.ly/1pheRko

MEDIA: Ink, ink wash
SURFACE: Alpha Series – Heavyweight – 150 gsm – White – Medium Grain Finish
SURFACE: Epsilon Series – Heavyweight – 150 gsm – White – Smooth Finish

Alpha vs. Beta (1024x485)

 

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Monday, July 14, 2014

Crescent Hotel, Eureka Springs

Janette Meetze, a sketchbook artist and tapestry designer, posted a drawing of a classic hotel a few weeks ago that captured our attention. We asked Janette to send us more details and she sent us the following write up: “Sketching the 1886 Crescent Hotel in Eureka Springs, Arkansas has been on my mind since I first saw it. The building looms large over the surrounding area and upon entering time seems to slow down and take on a turn of the 20th century elegance even in the midst of a busy summer season. It also has a slightly creepy side being well known for its paranormal activity and the ghost tours which run almost daily.

As an art history major who spent most of my career teaching art and fine craft, I find the mixture of stories about the Crescent just adds to its charm. Now that I am retired I have two major art interests, weaving tapestry and sketching. Weaving keeps me at home in front of the loom and sketching gets me out into the wide world. Often the two collide when a sketch becomes an inspiration for a tapestry.

This chance to sketch the Crescent came about because we stayed there for one night at the end of a recent getaway. I was up and in the back garden by 7AM the next morning. The vantage point that I chose reveals only a small fraction of the entire building but it was my intent from the beginning to have some figures present and to show at least part of the enormous porches. These porches are a popular spot where people can be found at all hours in the large rocking chairs that command a magnificent view of the Ozarks. I started with an outline of the basic structure with an HB mechanical pencil and then started drawing with a black Copic Multiliner 0.3 in my Stillman & Birn Zeta sketchbook. Two hours later I was still working with some of the detail and shading. I decided to take a reference photo at that time because check out was 11am! I was able to get most of the sketch completed and the color was added after I returned home with some M. Graham watercolors. The finished sketch is a spread that measures about 8” x 11”. I am excited about my next trip to the Crescent and plan to do some interior scenes the next time my sketchbook and I arrive.”

These are the links to Janette Meetze’s blogs: www.jmeetzestudiocommonthreads.blogspot.com
www.jmeetzestudio.blogspot.com

MEDIA: Pencil, ink, watercolor
SURFACE: Zeta Series – Extra Heavyweight – 270 gsm – White – Smooth Finish

Crescent Hotel

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